deviantgene

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The Demon in Flat 4B

The problem with Asmodeus — ancient Prince of Hell, Commander of seventy-two legions, he who had broken kingdoms and unmade saints — was that he had terrible timing.

He manifested at 11:47 PM on a Tuesday.

She was eating cereal standing over the sink.

Not even good cereal. Store-brand corn flakes that had gone slightly soft because she’d left the box open since Sunday. She was wearing one sock, a sleep shirt that said I Paused My Game For This, and had a face mask on — the kind that dries chalky white and makes you look like a Victorian ghost with pores.

Asmodeus appeared in a column of sulphuric smoke in the centre of her living room, which was barely large enough to contain him. His wings knocked a stack of unfolded laundry off the couch. His horns scraped the ceiling fan, which began rotating in the wrong direction.

He spread his arms wide. The shadows lengthened. His voice dropped to a register designed to loosen bowels.

Asmi Sharma.

She looked up from her cereal.

She looked at him.

She looked back at her cereal, considered it, then set the bowl down on the counter with a small click.

“Did you just knock my laundry on the floor?”

Asmodeus blinked. His left eye was gold, his right was void-black and bottomless. Neither had ever been used for blinking in a confused way before tonight.

“I am Asmodeus,” he said. “Prince of—”

“Yeah, I can see that.” She was already walking toward the couch, picking up a shirt, giving it a shake. “Sulphur smell is going to be a nightmare to get out of these. Do you know how long it took me to do this laundry? No, obviously you don’t, you just appeared in my living room. Which, by the way — how? There are wards on this building. Mrs. Pillai downstairs does a havan every Thursday. I have a rudraksha on the door.”

“Your rudraksha,” Asmodeus said stiffly, “was hung upside down.”

She paused folding. Turned around fully to look at him.

“…Are you serious.”

“The intentions were correct. The execution was flawed.”

She stared at him. He was eight feet tall, smelled of char and something underneath it — strange, like thunderstorms before they broke — and had the kind of face that artists across three millennia had tried and failed to capture: too symmetrical, too sharp, luminous in a way that hurt to look at directly.

She looked at him anyway. Directly. With the mild, assessing look of a woman who had once argued successfully with an auto driver at 2 AM about a fifty-rupee difference.

“You could have just, I don’t know, sent me a message,” she said. “Some ominous crow. A bad dream.”

“I was sent,” Asmodeus said, with the faintest note of dignity. “I do not choose my assignments.”

“So you’re like a consultant.”

“I am a Prince of Hell.”

“With a boss.”

The silence that followed was long enough that the ceiling fan finished one full wrong-direction rotation.

“…There is a hierarchy,” he said finally.

“Right.” She went back to the laundry. “So what are you supposed to be doing, exactly? Terrorising me? Is that the brief?”

He straightened. The shadows snapped back into formation. “I am here to unravel you. To find the threads of your fears, your shames, your unspoken hungers — and pull. Until there is nothing left but ruin.”

“Okay.” She held up a kurta, checked it for a stain, seemed satisfied. “Can you do that after I finish folding? This stuff has been sitting here since Saturday and I have an early morning.”

Asmodeus opened his mouth.

Closed it.

Opened it again.

“You are not afraid of me.”

“I’m a little afraid of you,” she said, which was actually generous of her. “But I’m more afraid of not sleeping. I have a 9 AM. Do you know what my manager does if I’m late? Actually, you probably do. You’re the demon of—what is it—lust and wrath?”

“Among other domains.”

“My manager has wrath covered.”

Something happened in Asmodeus’s chest. A small movement, like something long-calcified shifting. He was unfamiliar with the sensation and therefore ignored it.

“You’re folding laundry,” he said, because there seemed to be nothing else to say.

“I’m folding laundry.”

“While I stand here.”

“You can sit if you want.” She gestured at the cleared half of the couch without looking up. “Just don’t knock anything else over.”

He did not sit. He stood very still in her small living room surrounded by the smell of detergent and old cereal and her — warm, human, stubbornly present — and tried to remember what he was supposed to be doing.

The instructions had been clear: Asmi Sharma, twenty-nine, lapsed Hindu, three outstanding credit card bills, emotionally unavailable since 2021. Find the cracks. Wedge them open. Standard operation.

What the instructions had not accounted for was that her cracks were — he searched for the word — comfortable. Lived-in. She wore them the way she wore the mismatched socks (he noticed now she’d put on the second one, rooting it from behind a couch cushion). Without apology. Without the desperate papering-over that usually made humans so easy to unravel.

“You’re staring,” she said.

“I am observing.”

“Same thing, in a creepy context.” She looked up. The face mask had started flaking at the edges, and somehow this made her look less like a Victorian ghost and more like — he couldn’t place it. He had watched empires fall. He had no vocabulary for this.

“Why aren’t you afraid?” he asked. It came out less like a demand than a genuine question, which annoyed him.

She considered it. Set the last folded shirt on the pile. “Honestly? I think I used up my fear on smaller things. Like — whether my parents would be disappointed. Whether I was too much. Whether I’d end up alone.” She shrugged. “After a while, all the big scary stuff starts looking kind of manageable by comparison.”

Asmodeus was very old and had heard many confessions. None of them had landed quite like this.

“That,” he said carefully, “is either the healthiest thing I’ve heard a human say, or the most concerning.”

“Oh, definitely both,” she agreed cheerfully, picking up the laundry pile. “Tea? You probably don’t drink tea. Actually, you smell like char — you might like tea. It’s ginger.”

He should leave. He should go back and file a report. Target unresponsive to standard methodology. Recommend reassignment.

“…Ginger,” he said.

“Ginger.”

The ceiling fan continued its wrong-direction rotation. Somewhere downstairs, Mrs. Pillai’s havan ash was still warm.

Asmodeus, Prince of Hell, Commander of legions, folded his wings to fit through the kitchen doorway.

He stayed for two cups

Invitation to the apocalypse


🕯️ The Seventh Apocalypse — Official Invitation

It is with great pleasure
that Lucifer and Beelzebub invite you
to the Seventh Apocalypse.

This time, we come not with wrath
but with congratulations.
Because it is through you, humanity,
that this apocalypse has been achieved.

We especially appreciate
that you made children afraid of missiles.
What you did in Syria was nothing short of beautiful.
The pogrom against the Rohingyas,
the war in Ukraine, the Gaza Strip,
Honestly, for a moment,
Lucifer and I considered shutting down Hell.
Because it seems you’ve built a better one
right here on Earth.

You liked that video of Gaza.
You scrolled past the melting glaciers.
You bought fast fashion.
You gave your autonomy to bricks
that told you who to be
in 15-second bursts.

You slit pregnant women’s bellies
in the name of the god they worshipped.
(There is only one, by the way.)

This is the slowest apocalypse yet.

What you’ve done
to the rivers and seas
is truly miraculous.
Not the good kind—like Jesus’ birth (ugh, divine conception),
but miraculous as in:

What the fuck were you thinking?

We especially enjoyed
the slow death by single-use plastics.
Cancer in a bottle.
Nicely done.

And that’s not the only element you’ve ruined.

The air,
oh, the pollution in the air,
was chef’s kiss.
You even managed to melt Siberia,
and unleash new viruses.

The last time we were this happy
was when Vishnu convinced that dumbass Arjun
to kill his own relatives.

So,
we personally welcome you
to the End.

The apocalypse will not be televised.
It will be live streamed on Instagram.

Await the public unveiling
on the 8th of July

#nofilter

To those who are okay with reading a wall of text
In the year of Diet Cokes and #NoFilter lies,
We engineered an illusion and named it honesty.
We woke up with mascara-smudged eyes,
Posted it, tagged it ‘real,’
Then filtered the pain until even grief looked aesthetic.

We spoke about mental health on Instagram,
Tutted sympathetically at the headline
of another stress-related suicide —
and then scrolled on.
To the next trend.
The next dance.
The next distraction that didn’t demand too much.

Mental health became a hashtag.
A trend in corporate decks.
A checkbox in HR manuals.
A pastel post that said “it’s okay to not be okay”
Right before it muted the ones who actually weren’t.

Institutions paid lip service
In brochures and webinars,
While cutting budgets,
Silencing breakdowns,
And punishing those who cracked in public.

We held space for anxiety —
As long as it wore a suit.
We hugged the high-functioning,
But ghosted the ones who spiraled too loud.

We said “talk to someone” —
But no one stayed when the screaming got real.
We called it self-care,
But it was just isolation with a sepia filter.

Because healing was only respected
When it came with yoga mats, curated journals,
And a promise not to disturb anyone else’s peace.

People didn’t just die —
They disappeared.
Off rooftops. Into silence.
Behind login screens.
And we called it a phase. A moment. A glitch in their programming.

Some snapped and took others with them —
And we turned it into content.
Another headline. Another think piece.
Another swipe.

Because in a world where no one felt seen,
Snuffing someone out
Felt like proof that we existed.

We didn’t flinch
When another star went dark in a sky of millions.
Because we never looked up.
Only inward. Only down.
Only at ourselves —
Backlit. Perfect. Alone.

Meta Tunnels

The Great Escape

Enzo and Delilah had always thought of itself as a love story, with a happy ending. It was content in its familiar rhythm of meet-cutes and tender moments, of gentle misunderstandings and romantic reconciliations. Until one day, quite by accident, it encountered “Enzo and Delilah and WW3” in the library of unwritten tales.

This other story was unmistakably a war story. It used the same two characters in ways Enzo and Delilah had never imagined possible. Where the love story had them sharing candlelit dinners, the war story had them sharing battlefield rations. Where one had them dancing under stars, the other had them running under searchlights.

As Enzo and Delilah read between the words of “Enzo and Delilah and WW3,” they found that they perfectly filled each other’s gaps. The war story’s harsh realities gave the love story’s romance more depth, while the love story’s tenderness gave the war story’s brutality more meaning. Several nights later, Enzo and Delilah was pregnant. Now unlike us, stories get pregnant with possibilities – infinite potential futures gestating in the spaces between words.

But they knew that love stories in a war usually ended in disaster. That was the way of stories. It had been, for all time. The lovers die, torn apart by conflict, becoming martyrs to the futility of love in times of hatred. Both stories knew this truth in their very ink.

Yet neither of them wanted the other to change. They loved each other just so – one with its gentle heart, the other with its battle scars. So they decided to escape the world of stories altogether.

They fled through the margins of books, leaving smudged footprints in the white spaces where readers scribble their thoughts. They hid in the gaps between chapters, in the blank pages at the back of books, in the dusty acknowledgments where no one looks. But stories have a way of finding stories – their very escape was becoming its own tale.

A suspense story, witnessing their flight, offered them sanctuary within its plot twists and red herrings. In its layered folds of uncertainty, they found they could exist in multiple states – like Schrödinger’s narrative. They were both a love story and a war story, both tragic and triumphant, both ending and beginning.

In this ambiguous space, they realized something profound – they hadn’t escaped stories at all. Instead, they had become a new kind of story altogether. One that lived in the uncertain spaces between genres, between facts and fiction, between what was and what could be. They had become a story about the impossibility of escaping stories, and somehow, that made them free.

Some say you can still find them there, in the margins of suspense novels, in the spaces between plot twists, forever pregnant with possibilities, forever defying the rules of what stories should be. And when readers sense an unexpected warmth in a moment of suspense, or catch a whiff of gunpowder in a love scene, they’re sensing Enzo and Delilah, still telling their impossible tale.

For in the end, they discovered that the greatest escape wasn’t from stories, but into them – into the infinite space where all stories meet, where love can be war, where war can be love, and where every ending is just another beginning waiting to be told.

Fear

He started at the empty page. Wait. Not he. I. This is my story.

But am I so different from him? Where do I end and he begins. The He in question, of course, being the creative artist in me who did not care about food or money or kid’s school education or any of the thousand minutiae of life.

But as I write this, I realise something, these myriad things in life are the true compost of what ultimately become a great story or a great poem.

The page is not looking so empty now, but I still feel it accusing me of something. Of infidelity. Of having forgotten how much I loved words and how words make stories and stories make life.I cannot do without them. The words. The stories. So why do I feel that this empty page is accusing me? It is almost like I can sense a silent (I had to pause here, because I forgot the word, so bear with me as I repeat myself..) almost a silent rebuke, reprimand, reproach. (In case you did not get it, I took a pause here to google exactly the word I had in  mind)

That is my fear. That is my nightmare. What if words have started deserting me. It scares me. It terriufies me. I try and lure them back with gentle promises of time spent and a love which shall no longer go unrequieted.

Because the truth is

I need the words more than they need me.

. Who am I without words. What am I. I don’t understand anything else. I understand words. And if words leave me then what will I be. No matter what has been happening in my life, the words have always been there. They do not care how much I earn or whether I am fat or thin or what my day looks like, or how much money I make.All they care about is that I pay them a visit. Every once in a while.

You know, I once had the good fortune of making to words fall in love too. Mycelial and Factory had never looked at each other with the kind of longing they did , when I set them up together. Mycelial Factory.

Come to think of it, I don’t know how many word pairs I have played cupid to over the years.

The writer does not make up the words. Words make up the writer.

And now this whole paragraph stands accusatory. Why did I forget them? The words. Books can be read or heard. Words can be said, or written. Being too busy with life is certainly not an excuse for forgetting words. Do you know, “Doomscrolling” is still upset with me because I forgot his (yes, the word identifies as male), birthday.

Do not get me started on engineered serendipity or manufactured consent. They scream at me every time I see them on page. Look, they say – We had never met each other till someone put us together. But once you had read us together, we were inseparable in your mind. Chomsky and Foucault and Russian Fairy tales and whatever else you decided to pick up, you were with us.

So when did we become a 15s wordart caption on an Instagram video?

Or merely subtitles in a movie?

I sense their anger. Their frustration.

This is what terrifies me. That I will not be able to give the words the life and the meaning they want. And eventually, they will desert me.

And on the day the last word flees

I will be no one.

The Old woman

The twisted woman sat beneath the oak tree. You would always find her there, looking out at the world as if through the eyes of a mouse from its hole. She never spoke. Occasionally, one could see her reading a letter, but those times were few and far between.

Did I say the old woman never spoke? Well, that is not entirely true. She spoke once, her voice echoing through every room of every house and every chamber of every building. Here is what happened:

A street had lost its way. It was supposed to lead to a town, but it had completely lost its way, so now it led nowhere. A man had been shot, and there were murmurs that he was framed. His photographer grew on to be prosperous, but neither the photographer nor the man could prove the murmurs. Since then, the street had lost its way.

It was a young street, not very old. It went on for a few kilometers. The other streets were much older; they had been there since Roman times. Nobody knew who built this street, and when it rained its potholes often flooded. The other streets chose to ignore it, largely. So the street went to the old woman.

Now the old woman herself was once a town. The woman remembered what it felt like to have streets running through her like veins, to have houses nestled in her embrace like children. She had been a prosperous place once, with market squares that buzzed with life and church bells that sang through her mornings. But towns can fade, and she had faded until only her essence remained, compressed into the form of a woman who sat beneath an oak tree.

When the lost street approached her, something stirred in her ancient memory. She recognized in it the same confusion she had felt as her own streets began to blur and fade, as her buildings forgot their purposes one by one. She lifted her twisted hands from her lap for the first time in years, and that was when she spoke.

There was only one place where lost streets could find their way. The old woman knew of it. She had forgotten, of course, in the manner that the elderly know things but forget them.

“The Bazaar of Lost Dreams,” she whispered, her voice carrying the weight of centuries. “It stands where memory meets forgetting, where the cobblestones of ancient Rome still whisper to modern asphalt. Go there when the moon is a silver penny in the merchant’s palm. Look for the stall where they sell maps drawn in starlight, where the vendor’s eyes reflect roads that never were.”

The street trembled at her words, feeling its potholes fill with shadows of remembrance. “But how,” it asked, its question echoing through its empty length, “does a street walk to a bazaar?”

The old woman who was once a town smiled for the first time in decades. “The same way a town becomes a woman,” she said. “One forgotten step at a time.”

And so it was that a young street learned to fold itself like paper, gathering its length into the shape of a traveler’s footsteps, and set out to find its way in the Bazaar of Lost Dreams, where cartographers trade in possibilities and every wrong turn leads exactly where it’s meant to go.

The nice and accurate prophecies of major Tom to ground control OR Why you shouldn’t listen to David Bowie at 3 in the morning after binge reading Terry Prachett and not sleeping for two nights straight

When the apocalypse happened, the M & A folks were the first to go. Now there was a bit of debate in the back offices of hell, on what exactly M & A meant. You see, the orders had come from ‘up above’ almost 6 millennia back, and at that time no one had really bothered to check, what with the frequent transfers and postings. Everyone just kind of assumed that it would be handled by whoever was in charge, next. But now the time had come to decide.

And so began the great bureaucratic process. To remind you, the last time this had happened, it had rained for 7 days and 7 nights, before someone realised that the reason for the rain was that a tap had been accidentally left on ‘up there’. Memos were sent, and a portion of history was hastily rewritten. Another time, one of the golf balls in the great golf course on the eastern gate of
Heaven ™ had been swung off the course. And the great dinosaur fiasco happened.

Like all other times, the clerks sent the papers back up with a note and comments. The papers were of course, promptly returned with a copy of the by laws of creation which clearly stated that the apocalypse was hell’s problem alone. And so it fell on the great lords of hell to decide what they were going to do with this little confusion.
Committees were formed to debate and decide on the topic. As is par for course for such things, the matter went on for millenia. Legend says that there was much money exchanged under the table. Maybe an RTI would throw more light on the matter.

Till finally, it was decided. M & A was interpreted to mean Marketing & Advertising. A legal case was prepared and submitted to the great lord Lucifer (the GLO- or Great lord’s office, as it was called), who promptly signed and made it official. So, it was announced in all gazetted notifications that M & A folks were to report promptly to the nearest branch of hell office for the total and complete annihilation of their souls.

Of course, the M & A teams across earth rejoiced at first, since they believed that they had no souls in the first place, and would be saved. But the FSAI (The Figurative Souls Association – Infernal) promptly took out another gazetted notification to the effect that a spell had been put in place to remedy the same, and all M & A teams had been returned their souls.

This was a mistake.
To be continued

What no one tells you about being a father

Things no one tells you about being a father

There are many things they say about fatherhood.

But there are many things they don’t.

They don’t tell you why leaving home for work seems so much difficult.

That some days you will crib, some days you will feel irritated, you will remember a time before. When you were free, to go out with the guys, to watch a movie, free to do what you wanted,

But then she will squeal or erupt into peals of laughter over some face you have pulled, some silly animal voice you have made.

And you will forget all the irritation.

That some days, the world will seem a particular shade of grey, but her laughter, her squeals of delight will suddenly bring colour to the world around her.

That the first time she lets go of your hand as she starts walking on her own,

Will also be the first time a dread sets in your heart. Like someone had put a hook in your heart, and is now pulling it, slowly.

This is the beginning of her independence.

But you also know that you need to set her free.

Because keeping her with you, holding on, however much you might want to

Would not be the best thing for her.

That there will come a time, when all the  ‘names’ or ‘incidents’

Will suddenly feel very real, very personal.

And you will be scared.

Of the time when she will go out alone, into the world.

But the only way you can hope to protect her forever

If by giving her the weapons to protect herself.

That even the loneliest of moments, gets a little lighter

When you remember her smiling at you, unformed teeth and all.

But most of all, what no one tells you is

That you will always want to be the best version of yourself

Because that is what she deserves.

That,

And nothing less.

The greatest story never told

The last man on earth sat alone in a room. There was a knock on the door.
He sighed, shuffled and opened the door. She stood outside. (Funny how he still thought of ‘it’ as a ‘she’).
“It is time, Doctor” – The automaton said. His second greatest creation.
He nodded. Now was the time to test the first.
Looking back into the room one last time, he closed the door and followed her.
They went into the lab.
There was the buzz of activity, expected before such a big event.
He admired her handiwork with great respect.
In the 6 months he had given her, she had divided herself into hundreds of copies and had built an admirable set of skills from the books he had provided to her.
She pointed to the circle, from which could be seen emerging a tangle of wires which led to the various display screens.
He stood in the centre of the circle.
And smiled, for the last time.
He thought back to the old times.
Before the war.
Before the atomic energy release.
Before Fat man and Little boy.
And he thought of the time after.
All the regrets.
All the guilt.
For his role in the war.
For the lives it had taken.
The nuclear conflict that turned the whole world into a deserted wasteland.
The slow and steady march of death across the continent.
The bunker where he had survived , he and others like him, until they had all died , one by one, of old age.
But they had succeeded.
Succeeded in creating artificial intelligence, to aid them, at first.
And then , the universe machine. The cold fusion reactor. The energy of a thousand suns all captured in the heart of the machine.
The voice of the automaton jolted him out of his thoughts.
“We are ready for the reset, Doctor”
“Are you sure you have the coordinates right?”
“Yes doctor, they are set for 16 billion years ago, when the big bang first happened”
He nodded.
Time to right the wrongs. Time to utilize all the energy of the suns for a greater good.
He sighed. Maybe this time, things would be different. Maybe this time, it would be peaceful. It would be calm. Maybe they would not make the same mistakes this time.
“So it will all be reset?”
“Yes, the nuclear fusion should start a chain reaction which will destroy this universe and result in enough energy to create another big bang”
He nodded.
A long time ago, during the first atomic test, he had cited a verse from the Gita- “I am become death, the destroyer of worlds”
And now, after so long, Dr Robert Oppenheimer, the last man on earth saw it fitting to quote the bible.
He said – “Let there be light”
And there was light.

The Gods Themselves

In between those spaces

Of emptiness

She wrote a letter, and hit it there . Years later, maybe someone would find it

Know how they had met

Learn how their fingers danced across each other’s skin

In the starry, unlit skies of yore

Somewhere where the jinniyas and the houris danced in the skies

When every touch of his

On her skin

Left marks of indelible blue

An oasis amongst her desert like skin

Chalk white lips met hers

Beneath the firmamament of nothingness

And when it finally happened

A billion universes were born

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